There is also included an Omnisphere-friendly version of Raptor, with which you can access the patches within Omnisphere (you need to own Trilian for this to work).Īll of this comes with the usual attention to detail in expressive and inventive modwheel programming. There's a bit of it all here, True Staccato triggering, double stops, Slides and glisses. Also, within the arps and rhythms folder, there are patches exploring other time signatures than the usual 4/4, including 3/4, 5/4, 5/8, 6/8 and 7/8. Super groovy retro-lo-fi demo from maestro Ned Shows how well the original Trilogy Acoustic Bass in Trilian works in a Acid Jazz kind of mood.
With this soundset, The Unfinished have expanded Trilian’s canvas, adding pads and textures, normally associated with Omnsphere. Whether it’s the calm before the storm in an action epic or ratcheting up the jeopardy in a detective drama, Raptor provides you with an instant toolkit of slow-burning, tension-building, jaw-dropping sounds.Īnd Raptor is not just about the bass. The sound of Trilian Raptor has been highly influenced by the music of Harry Gregson-Williams, Henry Jackman, Michael McCann and James Newton Howard as well as the sound design of artists such as Sasha, Flaskvartetten and Hybrid.
Bubbling, charging sequences lush, introspective pads passionate, modern basses and ominous, beautiful drones, can all be found here. Trilian Raptor from The Unfinished is a new collection of 128 patches for Spectrasonics Trilian, aimed at atmospheric and dynamic cinematic underscore music.įocusing on depth and drive, these sounds will help you add animation and character to your soundtrack music.
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